 |
Sbastien Reuz pays great
attention to apparently banal urban constructions
-airport runways, faades of buildings, domestic
interiors, aerial views of cities, etc.- to record
any possible twinklings of space through snowflakes,
droplets of water in fountains, building
illuminations, moonlight, rays of sunlight 1, etc.
His photographs thus illustrate the prolific
relationships of light absorption, dispersion,
reflection and reverberation on worldly objects.
The artist brings photography into
public living spaces whilst at the same time
creating luminous images that manage to transport
the spectator into another space, an even more
floating, oneiric, poetic non-existence. The beauty
of his photographic activity lies in this offering
of a sensory experience of the displaced being.
[...]
Extrait du texte de Larys Frogier
in Sbastien Reuz, Constellation,
Bruxelles, La Lettre vole, 2002.
Translation : Laura Austrums
|