Helen Maurer
 
Curriculum vitae
Press
 
 
Biography

Maurer was born in Portsmouth and now lives and works in London. Remembered places, many from the south coast have provided her with subject matter; she now lives on a boat, which also informs the content and visual qualities within her current practice. Maurer studied Visual and performing arts at Brighton University before completing an MA in glass at The Royal College of Art.
Glass and light are materials often employed by the artist to create installations for exhibition and site-specific projects. The ideas and themes often evolve through experimenting with these combined mediums in different ways, for example by placing glass objects placed on top of Overhead projectors. Here she creates miniature three-dimensional glass models, which the light passes through to cast a life-size image of the same scene onto the wall. This has recently been developed through filming the optical effects created during their construction and projecting these along side.
She likes the process of making to 'reconstruction' and a search for something familiar as though the pieces might already exists and the work is to find them.
Maurer has worked on several public commissions, most recently creating a site-specific installation for the Arts Council Offices, London.
She teaches part time at Central Saint Martins School of Art, and was the winner of the 2003 Jerwood Prize for Glass.

 
SELECTED WORKS *click thumbnails to view larger images
 
High Tide
2006, Overhead projector, glass, mirror and painted wood
 
 
Family Tree
2006, Overhead projector, glass, mirrors, lens, perspex painted wood and video projector
 
 
Turn a Blind Eye
2005, Telescope, flagpoles, flags, LCD screenmedium
Turn a Blind Eye was part of The Nelson Touch 2005, presented at the Royal Naval Museum in collaboration with Aspex Gallery and was curated by Victoria Preston. Helen Maurer created a telescope acting as a camera obscura - projecting a small image of a scene outside the building on to a flat surface in the museum. In Portsmouth Historic Dockyard she has hung a Nelsonic message encoded in flags which is inverted by the telescope - a symbol of distress. The installation is complimented with archive footage of events and marches shot in Trafalgar Square, the sight of Nelson's Column.
 
 
Cave Painting
2003, Overhead projector, glass
 
 
Untitled
2003, Overhead projector, glass, perspex and metal
 
 
Over Exposed
2002, Overhead projector, glass, perspex
 
 
Alpha Light frames
2001, Projector glass perspex and wood, projection approx 250 x 300cm
 
 
Green Birdie
2002, Glass, perspex, wood and halogen light
 
 
Loop
2002, Glass, perspex, painted wood and halogen light