
Oona
Grimes Etruscan children: Medea syndrome 2024. #27
75 x 110 cm. Stencil drawing & collage on paper.
“The work always seems
to be about monsters in the domestic margins, the
tyranny of complicit silence & child abuse - all
wrapped in comic strip language.”
Weed
Killer comprises of three chapters:
1.
Stencil drawings on black paper where the
monster-healer mother murders her children.
2.
Coloured pencil & collage on drafting film conjures
the bruised ghosts of the dead children.
3. A
short film spins the yarn of absolute laws - the
three Fates of thread, measured life and final
severance.
A leaflet featuring a
commissioned essay by Tess Charnley will be
available during the exhibition.
Oona Grimes
is a London-based artist who merges drawing, clay
and film to create a world peopled by the Unseen and
the Unlovely. Her work reflects a deep obsession
with the learning and losing of language, fusing
Commedia dell’arte with comic strip aesthetics.
During her 2018 Bridget Riley Fellowship at the
British School at Rome, Grimes compounded Etruscan
tomb paintings with Neorealist cinema. The resulting
films, were mis-remembered re-enactments that
physically integrated her into the frame.
Grimes graduated from Norwich School of Art (1986)
and Slade School of Fine Art (1988). She was awarded
the Bryan Robertson Award in 2022 and elected to the
Royal Academy in 2023. Recently a visiting lecturer
at the Royal College of Art and Ruskin School of
Art, Oxford University.
Tess Charnley
is a writer and curator based between Cornwall and
London. Her writing has been published across
leading art publications including Elephant
Magazine, Burlington Contemporary, Art Monthly, this
is tomorrow, Ocula and the peer-reviewed journal
Anthropocenes — Human, Inhuman, Posthuman. She was
also a contributer to Prime: Art's Next Generation,
published by Phaidon. She is currently working on a
publication on the late artist Richard Nott, which
will be published by Sansom & Company in September.